By Elana Scherr, Kahn Media Senior Account Executive
Veteran etiquette gurus are swamped these days with questions about how to politely refuse Facebook friends, and what to do about a teenager who texts at the dinner table. Hurt feelings and bad manners have gone virtual. Social Media and mobile technology have given us a whole new way to share with a much larger audience, but that comes with the risk of offending a much larger audience!
The problem of developing etiquette rules for online interactions is not restricted to personal profiles. As businesses make use of social media sharing opportunities, there are a few common social media gaffes to watch out for.
1. Thou Shalt not Steal
Never in a million years would any of us consider walking out of a party with the hostess’ silverware in our pocket, yet people regularly grab images and text from online outlets without making any reference to the original source. This is rude in any medium. Whether you’re sharing a facebook photo or an online article, mention that it is borrowed and, if possible, include a link back to the site where it was originally published.
Note: When borrowing a photo from a Facebook fan, simply mention that the image is from a fan, perhaps with the person’s first or last name. Due to varying Facebook privacy settings, it may not be polite or desirable to send your whole fan base to look at a private citizen’s profile.
2. That’s Enough About You, Have You Heard About Me?
“Tagging” is common practice on sites like Facebook and Twitter where a simple mention of a name can link your post to a partner or customer’s page or profile and allow their friends and fans to see it. This can be a great way to cross market, or it can be the equivalent of butting in to a conversation about renaissance art to talk about the time you did a finger painting in kindergarten. Use tagging sparingly and make sure that what you are tagging is RELEVENT
and FLATTERING to the tagged party.
3. Hold the Spam
It can be very tempting to use the comment section on a blog or Facebook post as a spot to promote one’s own business. Unless the post is asking “How many of you own your own exhaust shop?”, don’t post about your company. It’s blatant spam and it will be likely to get you banned from the page. Start your own fan page or blog and build a community around your brand.
The same goes for forum posting. It’s just rude to invade a thread with unrelated self-promotion. If you’re a sponsor with a new product, start a new thread, or look for a conversation that’s more relevant in which to post your photos.
4. Are We There Yet? How About Now? Now?
Invites are polite, but with so many social media sites, and new ones coming up every day, some folks might start to feel bombarded with Google +, Storify and Linkdin invites. If you feel like you’ve arrived at the party early, invite a few co-workers who share your enthusiasm for online socializing, and simply wait for the rest of the world to catch up. Basically, don’t be pushy, it’s not any more appreciated in the online sphere than it is on the phone or in person.
5. R-E-S-P-E-C-T
Most social media articles end up with the same message. The online world is not an alternate reality, it’s an extension of the physical world in which we live, especially for businesses. Respect people’s creative rights, their privacy and their opinions and you’ll build a reputation for your company as refined and respected as the products you provide.
Photos from Flickr
We just ran across a really interesting social media experiment. Jonathan Stark has published an image of the QR code on the back of his Starbucks card. He invites anyone and everyone to go into the coffee house and order a coffee, and try to scan the image.
If he has money on his card, you get a free coffee. All he asks in return is for you to take a picture and post to his FB or Twitter account. For added karma points… next time you have a few extra points on your card, pass it along to someone in need.
What’s interesting about this is that it weaves several different social media layers into a single interesting viral campaign. Mr. Stark created this campaign on his blog, promotes it through Facebook and Flickr, uses QR technology provided by Starbucks to “pay it forward” and then asks people who take advantage to let the world know by creating their own posts. Whether he does this purely out of goodwill and a desire to see how far it spreads or – as some cynics have suggested – because he is somehow involved in an subtle viral marketing campaign is irrelevant. What’s interesting here is that he is A) helping strangers he has never met and B) has figured out a way to make QR technology work for more than simply scanning ads in magazines to see more ads.
What do you think – interesting social media experiment, innovative way to rack up goodwill, or an underground Starbucks PR campaign? Any thoughts?

Fellow SEMA Members,
I am running for a seat on the YEN Select Committee, and would appreciate your vote. Some highlights on why I would be an ideal candidate include:
- I am a life-long enthusiast from a car family. My first car build ended up on the covers of Hot Rod and Mustang & Fords
- Over a dozen years in the industry, having worked 11 consecutive SEMA Shows.
- Media background: I have worked for Petersen, Primedia, Edmunds, and handled PR for the top brands in our industry
- Small business owner: I understand what it takes to run a small business in the current climate, and what it takes to succeed
- The manufacturer’s perspective: my best clients and friends are auto aftermarket manufacturers. I will represent the manufacturer’s point of view on the council
- Social Media Expertise: It’s what we do, every day. I will help bring fresh ideas to the table and would love to help fellow YEN members succeed
After a decade as a proud SEMA member, I’ve decided its time to give something back to the industry and organization that has been so good to me over the years. I’m running for a seat on the SEMA Young Executives Network (YEN) Select Committee. YEN honored me a few months ago with a nice profile piece on the SEMA site and in SEMA News, so most of my background can be found here.
In a nutshell: I started working in the auto industry in high school, working the sales counter at a well-known speed shop in Los Angeles. I honed my writing skills, then made the jump to magazines as a writer and photographer at 18. I went on to work at some of the best automotive media outlets in the country, including Petersen/Primedia, Edmunds.com and more. Eventually I made the leap to automotive PR, where I have run accounts for some of the biggest names in our industry. Eventually I started my own PR and Social Media Marketing firm in 2008 and haven’t looked back. I’m honored to have a fantastic group of clients and we are doing really exciting work pushing the limits of viral marketing and PR for the automotive aftermarket.
So why the YEN Select Committee? Because I’m a pretty young guy considering I’ve worked 11 consecutive SEMA shows, and I feel that our industry is filled with young, eager, forward-thinking entrepreneurs. From business owners and manufacturers to reps, dealers and media personnel, we’re all very fortunate to have a passion for cars and the ability to earn a living talking about what we love. I will help fellow YEN members in any way I can, keeping the committee focused on the needs of fresh new companies and fast-rising young executives. We should be heard, from our ideas on new media marketing to reaching Gen Y and Millennials. I will bring new ideas to the table about how to market the organization to business owners and how to help members move their businesses forward.
Thank you for your time and consideration. I encourage anyone with questions about my goals for the YEN Select Committee or even those looking for advice to email or call me anytime.
Sincerely,
Dan Kahn
President, Kahn Media
Dan@KahnMedia.com
818-881-5246
Here at Kahn Media we get sent a lot of photo and video-related content from our clients. We appreciate it, as it’s nearly impossible for us to shoot every event, meet, show, race, shop visit, etc. In an effort to maintain some quality control as well as reduce time burned, I have compiled this list of guidelines. The guidelines are universal and can make a world of difference in the end product and the process leading up to it.
We’ll start with video work since it demands more specific settings and consumes a lot more space.
Filming:
- Shoot with a tripod whenever possible. This is an effort to reduce the amount of shake and vibrations in our videos. When I’m out filming cars, I always have a tripod with me. For interviews, stationary shots, moving shots, pans, and everything else, these shots look a lot more professional. When the footage is more professional it shows that your company puts a lot of effort and thought into every little detail.
- Shoot everything in the same format. Now with HD cameras especially you are given plenty of options in how the camera will record its footage. Varying formats in the same project not only looks less professional, it also can be entirely incompatible.
- At Kahn Media everything as of right now is shot in 720p and the majority of footage is at 30fps. Why? Because the majority of our video goes online, and YouTube maxes out at 720p, but this format still looks good on a TV screen.
- Use a GoPro Hero HD? The setting R2 for 1080i/p is largely unnecessary for most internet-based projects and will just result in a larger file size.
- If you shoot something with the intent of it being turned into slow-motion footage, keep the 720p and shoot at 60fps. This is double the frame rate so the slowed footage will look much smoother.
- Normal Footage: 720p/30fps
- Slow Motion Footage: 720p/60fps (R3 on the GoPro)
- Import the Footage from the Camcorder. It is important that you import footage from the camera instead of dragging files over like a hard drive. Cameras don’t automatically record to an editable file format. The footage needs to be imported into an editing program. Cameras come with software to properly import footage and many other programs are also capable of doing this. I’ve been receiving a growing number of .MTS files lately as well as many other non-compatible formats. We have ways of making MTS files work eventually but it is very time consuming and just delays videos further. The exception to this being GoPros which record into a .MOV file format which is perfect for editing.
- Import footage – don’t just drag files over (Except for with Gopros)
- Desired files: Uncompressed .MOV Files
Photography:
- Shoot high-resolution. We don’t need or necessarily want RAW files for event coverage and/or blog posts. However, a high-quality JPEG can go a long way.
- Shoot with the sun to your back. This is for lighting/exposure purposes of course. You can do a lot with ambient (natural) light if you utilize it properly. This tip can help you eliminate a lot of unwanted shadows and will clean up the look of photos significantly.
- Show as much as you can. Take photos of everything going on. A cool car, a race, a funny story, a cool story, anything relevant.
- Avoid busy backgrounds. Nothing kills a shot quicker than having your competitors’ vehicles in the background. Always try to get your company’s car separate from anything that could make the photo unusable.
For Both:
- Get multiple shots of each car. Get overview shots and specific shots of your product. If possible, get photos that include the vehicle and owner’s info (Ex: A tag at a car show)
- Interview customers. Ask people questions that use your product. Film their reactions (use a microphone if possible). Take some notes, maybe a good write-up or caption could be tied into the photos. People also enjoy feeling like their voice is heard, especially if it’s by the companies that they have given their hard-earned money to.
- Show people having a good time. Get shots of people enjoying events you sponsor, or customers enjoying your products. This can be as valuable, if not more so than a traditional commercial. People like companies that not only have good products but also reinvest in the community and give that community a chance to enjoy themselves (Ex: Muscle car events for the Muscle Car Community). Make a point of showing that you support the community and that people are enjoying events you sponsor.
- Have fun. If you’re having a good time while shooting and experiencing the cars or races it’ll carry over to the footage. Our goal here isn’t just about showing company’s products, we want to show that our clients are into fun. All of our clients have products that are used in fun applications like races. We want people to see footage from events that our clients contribute to and/or participate in. If someone uses a client’s product in the race I will show that person using the product and usually interview him or her as well. It’s better to have more footage and sort through it than coming up short on footage when working on something.
It’s important that you put some effort into the quality of photo and video work for your company. Customers, both current and potential, will notice the quality of this and directly associate it with your product. The cleaner and better shot everything is, the better the company’s image. Follow these steps when possible and have a good time while doing so and it’ll work wonders.
I can’t wait to see what you guys can do.
Thanks,
-Alex Auerbach
Here at Kahn Media we get sent a lot of photo and video-related content from our clients. We appreciate it, as it’s nearly impossible for us to shoot every event, meet, show, race, shop visit, etc. In an effort to maintain some quality control as well as reduce time burned, I have compiled this list of guidelines. The guidelines are universal and can make a world of difference in the end product and the process leading up to it.
We’ll start with video work since it demands more specific settings and consumes a lot more space.
Filming:
- Shoot with a tripod whenever possible. This is an effort to reduce the amount of shake and vibrations in our videos. When I’m out filming cars, I always have a tripod with me. For interviews, stationary shots, moving shots, pans, and everything else, these shots look a lot more professional. When the footage is more professional it shows that your company puts a lot of effort and thought into every little detail.
- Shoot everything in the same format. Now with HD cameras especially you are given plenty of options in how the camera will record its footage. Varying formats in the same project not only looks less professional, it also can be entirely incompatible.
- At Kahn Media everything as of right now is shot in 720p and the majority of footage is at 30fps. Why? Because the majority of our video goes online, and YouTube maxes out at 720p, but this format still looks good on a TV screen.
- Use a GoPro Hero HD? The setting R2 for 1080i/p is largely unnecessary for most internet-based projects and will just result in a larger file size.
- If you shoot something with the intent of it being turned into slow-motion footage, keep the 720p and shoot at 60fps. This is double the frame rate so the slowed footage will look much smoother.
- Normal Footage: 720p/30fps
- Slow Motion Footage: 720p/60fps (R3 on the GoPro)
- Import the Footage from the Camcorder. It is important that you import footage from the camera instead of dragging files over like a hard drive. Cameras don’t automatically record to an editable file format. The footage needs to be imported into an editing program. Cameras come with software to properly import footage and many other programs are also capable of doing this. I’ve been receiving a growing number of .MTS files lately as well as many other non-compatible formats. We have ways of making MTS files work eventually but it is very time consuming and just delays videos further. The exception to this being GoPros which record into a .MOV file format which is perfect for editing.
- Import footage – don’t just drag files over (Except for with Gopros)
- Desired files: Uncompressed .MOV Files
Photography:
- Shoot high-resolution. We don’t need or necessarily want RAW files for event coverage and/or blog posts. However, a high-quality JPEG can go a long way.
- Shoot with the sun to your back. This is for lighting/exposure purposes of course. You can do a lot with ambient (natural) light if you utilize it properly. This tip can help you eliminate a lot of unwanted shadows and will clean up the look of photos significantly.
- Show as much as you can. Take photos of everything going on. A cool car, a race, a funny story, a cool story, anything relevant.
- Avoid busy backgrounds. Nothing kills a shot quicker than having your competitors’ vehicles in the background. Always try to get your company’s car separate from anything that could make the photo unusable.
For Both:
- Get multiple shots of each car. Get overview shots and specific shots of your product. If possible, get photos that include the vehicle and owner’s info (Ex: A tag at a car show)
- Interview customers. Ask people questions that use your product. Film their reactions (use a microphone if possible). Take some notes, maybe a good write-up or caption could be tied into the photos. People also enjoy feeling like their voice is heard, especially if it’s by the companies that they have given their hard-earned money to.
- Show people having a good time. Get shots of people enjoying events you sponsor, or customers enjoying your products. This can be as valuable, if not more so than a traditional commercial. People like companies that not only have good products but also reinvest in the community and give that community a chance to enjoy themselves (Ex: Muscle car events for the Muscle Car Community). Make a point of showing that you support the community and that people are enjoying events you sponsor.
- Have fun. If you’re having a good time while shooting and experiencing the cars or races it’ll carry over to the footage. Our goal here isn’t just about showing company’s products, we want to show that our clients are into fun. All of our clients have products that are used in fun applications like races. We want people to see footage from events that our clients contribute to and/or participate in. If someone uses a client’s product in the race I will show that person using the product and usually interview him or her as well. It’s better to have more footage and sort through it than coming up short on footage when working on something.
It’s important that you put some effort into the quality of photo and video work for your company. Customers, both current and potential, will notice the quality of this and directly associate it with your product. The cleaner and better shot everything is, the better the company’s image. Follow these steps when possible and have a good time while doing so and it’ll work wonders.
I can’t wait to see what you guys can do.
Thanks,
-Alex Auerbach




Going Mobile
A little over a week ago I attended a marketing and technology conference, hoping to A) see what the competition is up to and B) maybe learn a few things. As it turns out, I got to do both. We work very hard to stay current on social media marketing, and as a rabid iPhone user I’m already quite familiar with the mobile data hog trend that’s sweeping the tech world (as is my wife, she pays the AT&T bill). What did open my eyes were some numbers presented by Famous Rhodes, Director of eBay Motors.
Some facts Famous bright to light:
Those are BIG numbers. As a communications professional, my goal is to make sure as many qualified eyeballs as possible see my client’s message. The tough part is keeping a finger in a LOT of pies, from Facebook fan pages and YouTube video channels to forums, print PR, TV, newspapers, Twitter and more. The key to conglomerating all this info into a single channel isn’t the computer or TV like everyone predicted 20 years ago – it’s the phone. As it stands I check my email, twitter, facebook and website on my phone constantly. I think most consumers under 40 do the same.
That said, the key moving forward is to obtain an M-Commerce leadership position now, while the field is still young and growing. The video game and fashion industries have already taken a foothold, automotive is lagging behind. We have several new projects in development that will help clients put all data into a single channel available on any phone, and that’s the key to streamlining all the communication strategies into a single stream of information. Of course the info has to be fun and entertaining, otherwise what’s the point?
I’ll have more exciting news regarding these programs soon, in the meantime enjoy Pete, Roger and Keith doing their thing.